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Marquis de Sade: La Philosophie dans le Boudoir — First Japanese Translation, 1948 (Showa 23)

Marquis de Sade: La Philosophie dans le Boudoir — First Japanese Translation, 1948 (Showa 23)

通常価格 $48.00 USD
通常価格 セール価格 $48.00 USD
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[PRODUCT SPECIFICATIONS]
- Author: Marquis de Sade (マルキ・ド・サド / Donatien Alphonse François, Marquis de Sade)
- Title: 閨房哲学 (Keibou Tetsugaku) — Japanese translation of La Philosophie dans le Boudoir (1795)
- Translator: Sobue Takashi (祖父江喬)
- Book Design: Kumada Goro (熊田五郎)
- Publisher: Shunchōsha (春潮社) 
- Year Published: 1948 (Showa 23)
- Language: Japanese
- Format: Softcover, 196 pages, 17.8 × 12.5 × 1.2 cm
- Inclusions: None

[OVERVIEW]

La Philosophie dans le Boudoir — composed by the Marquis de Sade in 1795, in the immediate aftermath of the Terror — is one of the most incendiary philosophical texts in the Western canon. Cast as a series of dialogues conducted in a boudoir, it deploys libertine excess as a vehicle for radical Enlightenment argument: against religion, against bourgeois morality, against the hypocrisies of the new Republic. Its central pamphlet, Français, encore un effort si vous voulez être républicains, remains one of the most provocative political tracts of the revolutionary era.

This 1948 Japanese edition — published in the immediate postwar period, when censorship had only just lifted and intellectual Japan was ravenously consuming forbidden Western thought — represents a significant moment in the reception of Sade in Japan. Translator Sobue Takashi's two-page afterword is, by the seller's own account, a substantial and rewarding text in its own right.

What makes this copy immediately arresting is its cover: a pale celadon ground embossed with white chrysanthemum motifs, framing a central silhouette illustration in the cut-paper style — a design vocabulary rooted firmly in the Japanese book arts of the late 1930s (Showa 13 era). The result is a cover of extraordinary incongruity and beauty: Sade's most transgressive text dressed in the restrained elegance of prewar Japanese graphic design.

[IMPORTANT NOTE FOR INTERNATIONAL BUYERS: EASY AI TRANSLATION]

While the text is printed in Japanese, you can easily read and study this historic book using modern smartphone AI tools! By taking a photo of any page with your smartphone and using free apps like Google Lens, ChatGPT, or Google Translate, the embedded AI will instantly scan and translate the text on your screen layout. Language is no longer a barrier to owning and enjoying this rare piece of international history.

[WHY THIS VOLUME IS A PRIZED COLLECTOR'S ITEM]

1. Historical & Documentary Value — A primary document of postwar Japanese intellectual life: Sade in Japanese translation, published in 1948 in the charged atmosphere of Occupation-era Tokyo. The table of contents alone — covering sodomy, adultery, murder, and the famous republican pamphlet — signals the audacity of this publication.

2. Visual & Artistic Value — The cover design by Kumada Goro is a collector's object in its own right. The pale celadon cloth with embossed chrysanthemum pattern and central silhouette vignette belongs to the refined aesthetic of late-1930s Japanese book design — a style that reached its peak around Showa 13 (1938) and was largely extinguished by wartime austerity. To find it clothing Sade's most notorious text is a collision of sensibilities that no designer would dare attempt today.

3. Rarity of This Specific Edition — While Japanese translations of Sade exist, this particular 1948 Shunchōsha edition — with Kumada Goro's distinctive prewar-style binding — is considerably scarcer than later printings and is rarely encountered in collectible condition outside Japan.

[CONDITION]
Good Vintage Condition — Honest Survivor

- Covers & Spine: Shows the honest wear of nearly eight decades. Foxing present to covers, top and bottom edges, and fore-edge — entirely consistent with paper of this era and origin. The celadon cloth and embossed design remain legible and characterful.
- Binding: Intact.
- Interior & Pages: Foxing present throughout the text block, consistent with age. No inscriptions, no underlining, no annotations of any kind.
- *Please carefully inspect all high-resolution listing photos to verify the exceptional vintage condition.*

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