Shuji Terayama Throw Away Your Books, Rally in the Streets Yokoo Tadanori. Haga Shoten 1972. 2-vol. Set.

[PRODUCT SPECIFICATIONS]

• Author: Terayama Shuji (寺山修司)
• Vol. 1 — 「書を捧てよ、町へ出よう」 (Throw Away Your Books, Rally in the Streets): Illustrations by Yokoo Tadanori (横尾忠則)
• Vol. 2 — 「続 書を捧てよ町へ出よう」 (Throw Away Your Books, Rally in the Streets — Continued): Design, layout & illustrations by Mishima Noritou (三嵪典東). Photography: Tatsuki Yoshihiro (立木義浩), Kanda Masayoshi (勘田正義). Cooperation: ATG (日本アートシアターギルド)
• Publisher: Haga Shoten (芳賀書店), Tokyo — Kanda Jinbocho 2-7
• Year Published: 1972 (Showa 47). Vol. 2: Printed March 25; Published April 7, 1972. (First edition of Vol. 1: 1967)
• Format: 2-volume complete set. Softcover. Full-colour covers. Fully illustrated throughout with photographs, collage, and original artwork.
• Language: Japanese

[OVERVIEW]

The original edition of Throw Away Your Books, Rally in the Streets was published by Haga Shoten in 1967 — the year Terayama Shuji founded Tenjō Sajiki, his legendary underground theatre company. By 1972, when these volumes were issued, the book had become a generational manifesto: the text that told a postwar Japanese youth to abandon the passive consumption of culture and enter the street, the city, the body, the world. The 1972 Haga Shoten editions — Vol. 1 redesigned by Yokoo Tadanori, Vol. 2 newly issued with design by Mishima Noritou — represent what is likely the final standalone hardcover publication of these texts before they entered the paperback and collected-works editions that followed.

Volume 1 is a Yokoo Tadanori (横尾忠則) production. The cover — a black-and-white sunburst radiating from a giant painted mouth with a cigarette, the lips rendered in shocking pink — is one of the most recognizable images in the history of Japanese graphic design. Yokoo, by 1972, was already internationally recognized — his posters had been exhibited at MoMA — and his work for Terayama represents the fullest expression of their shared aesthetic: erotic, political, carnivalesque. Volume 2 is designed by Mishima Noritou, with the cooperation of ATG. The endpapers — a cyanotype-blue photomontage of a red sun over dark water facing a crowd of identical suited men — are among the most politically charged book design elements of the period.

[IMPORTANT NOTE FOR INTERNATIONAL BUYERS: EASY AI TRANSLATION]

While the text is printed in Japanese, you can easily read and study this historic book using modern smartphone AI tools. By taking a photo of any page with your smartphone and using free apps like Google Lens, ChatGPT, or Google Translate, the embedded AI will instantly scan and translate the text on your screen layout. Language is no longer a barrier to owning and enjoying this rare piece of cultural history.

[WHY THIS VOLUME IS A PRIZED COLLECTOR'S ITEM]

1. Both Volumes Together — An Exceptionally Rare Complete Set: Vol. 1 and Vol. 2 of the 1972 Haga Shoten edition are each difficult to find individually. Finding them together, in matching condition, is another matter entirely. Each volume was designed by a different artist — Yokoo Tadanori on Vol. 1, Mishima Noritou on Vol. 2 — and each circulated separately in the market. A complete 2-volume set in this condition is, quite simply, the thing collectors wait for.
2. Yokoo Tadanori Cover Design: Yokoo Tadanori (横尾忠則, b. 1936) is Japan's most internationally celebrated graphic designer — the artist whose posters were acquired by MoMA. The Vol. 1 cover is a canonical Yokoo image, actively collected by design institutions and private collectors worldwide.
3. Terayama Shuji at the Peak: Published in the same year as his ATG film of the same title, these volumes document Terayama (寺山修司, 1935–1983) at the precise moment when his influence on Japanese culture — theatre, film, poetry, performance — was at its widest. His work commands serious collector attention across Japan, Europe, and North America.
4. Likely the Final Standalone Edition: After 1972, these texts moved into paperback and collected-works formats. This is in all likelihood the last time they were published as individually designed objects — the last version in which the book was treated as a work of art in its own right.

[CONDITION]

Very Good Vintage Condition — Complete 2-Volume Set

• Vol. 1 Cover: Very Good. The Yokoo Tadanori sunburst-and-lips cover retains full graphic impact. Light age-toning to edges consistent with 54 years.
• Vol. 2 Cover: Very Good. The Mishima Noritou photomontage cover bright and clean. Light wear to spine ends.
• Bindings: Both tight and fully intact.
• Interiors: Both Very Good. Clean throughout. No writing, no stamps.
• Please carefully inspect all high-resolution listing photos to verify condition.